ASWELL'S Brooklyn routines 1-4

All Routines from MPC on Vimeo.

these are 4 tight routines remakes of classics,(unbelieveable is my fav). whats also great is that he gives tutorials on how to do them all!

Nottz - Shine So Bright

Nottz "Shine So Brite" from Raw Koncept on Vimeo.

Nottz with a vid for "Shine so Bright" a JDilla tribute,his first dolo release "you need this music"on Raw Koncept rawkoncept records

big shout
illusivemedia.com on the motion design

Burntprogress CDR Knowledge

CDR Knowledge - Beat Innervisions 0809 - 5min Version from burntprogress on Vimeo.

burntprogress CDR Knowledge - Beat Innervisions Held at Rivington Place London. Featuring Production presentations from Bullion, Floating Points and Simbad. The event also included Work In Progress from Morgan Zarate, Aaron Jerome and Guynamite.

Big shout to Bullion(one of my Fav producers right now)

Dexter "Hi-Hat Club Vol.3 - The Jazz Files"

Dexter - The Jazz Files (Teaser) from MPMTV on Vimeo.

this caught my ear because i don't hear many Jazz-inspired beats anymore,enter Dexter's Hi hat club.I'd let you know more about Dexter, but everything i can find is in German...
http://www.myspace.com/dexterone

88 Keys in the studio

KPLtv CHOP SUEY the beat conductor series featuring 88-keys from KPLtv on Vimeo.

This is the 88 keys sound i know,bigup chop suey.

Dilla Toronto interview 2002

Rare footage of Dilla Djing in toronto and a great interview about the love he recieves
abroad and the theory behind F*** the Police.

"It’s weird cuz like in Detroit, ya know I’m just a regular Joe. Ya know what I’m sayin’. but you go to New York, or you go to Cali, or go to London. Even coming to Toronto now, you know what I’m saying now, it’s a whole different thing. I get the love for what I do in that basement, it’s like appreciated. So I go back and do more sh**."

Stones Throw

FOCUS-Beat making session

Untitled from west coast theory on Vimeo.

The makers of West Coast Theory went in-studio with Aftermath producer Focus. The producer offers a peek into his recording environment and explains his approach to creating music, thoughts on software, and experience working with Dr. Dre.

Throughout the interview Focus illustrates his process of crafting a beat from working with the original sample to layering drums, recording, and playing live bass.